Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 32
Stran 203
... material with intelligence and feeling into a sound pattern will not make poetry . Roy Campbell wrote somewhat rudely of poets who achieve that only : You praise the self - restraint with which they write- I'm with you there , of course ...
... material with intelligence and feeling into a sound pattern will not make poetry . Roy Campbell wrote somewhat rudely of poets who achieve that only : You praise the self - restraint with which they write- I'm with you there , of course ...
Stran 220
... material which the poet can plunder at will . As Yeats says : ' Whatever the passions of men have gathered about becomes a symbol in the Great Memory , and , in the hands of him that has the secret of it , a worker of wonders , a caller ...
... material which the poet can plunder at will . As Yeats says : ' Whatever the passions of men have gathered about becomes a symbol in the Great Memory , and , in the hands of him that has the secret of it , a worker of wonders , a caller ...
Stran 225
... material of poetry , it is true , is rarely simple . As Eliot said , a reading of Spinoza , and the noise of the typewriter and the smell of dinner cooking may be all essential parts of a moment's experience . The poet , he reminds us ...
... material of poetry , it is true , is rarely simple . As Eliot said , a reading of Spinoza , and the noise of the typewriter and the smell of dinner cooking may be all essential parts of a moment's experience . The poet , he reminds us ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats