Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 33
Stran 88
... mood being especially common among children ' the end room ' implies a child's fears of long corridors . In such a mood , both when a child and when grown up , I remember look- ing in mirrors and ( a ) thinking that my own face looked ...
... mood being especially common among children ' the end room ' implies a child's fears of long corridors . In such a mood , both when a child and when grown up , I remember look- ing in mirrors and ( a ) thinking that my own face looked ...
Stran 219
... mood . Or when Eliot describes the woman in Gerontion as ' poking the peevish gutter , ' by an auda- cious ellipsis he compresses the sense of the negative use- lessness of the woman's life , her obsession with unim- portant material ...
... mood . Or when Eliot describes the woman in Gerontion as ' poking the peevish gutter , ' by an auda- cious ellipsis he compresses the sense of the negative use- lessness of the woman's life , her obsession with unim- portant material ...
Stran 232
... mood which dominates it and then to explore the means by which the poet has given body and outline to that attitude . ' Ecstasy affords the occasion and expediency determines the form . ' The form is the pattern . As Eliot says : ' It ...
... mood which dominates it and then to explore the means by which the poet has given body and outline to that attitude . ' Ecstasy affords the occasion and expediency determines the form . ' The form is the pattern . As Eliot says : ' It ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats