Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 85
Stran 22
... poet's experience only through the poetic process . But the aver- age reader of poetry finds no difficulty in making a dis- tinction in his mind . He knows that he takes active pleas- ure in poetic artistry : in formal pattern , rhythm ...
... poet's experience only through the poetic process . But the aver- age reader of poetry finds no difficulty in making a dis- tinction in his mind . He knows that he takes active pleas- ure in poetic artistry : in formal pattern , rhythm ...
Stran 147
... poetic ex- pression . The result of this superiority , however , is a fatal disproportion of dramatic interest between the play as a whole and its parts . Eliot's poetic sympathies in recent years have turned more and more to dry ...
... poetic ex- pression . The result of this superiority , however , is a fatal disproportion of dramatic interest between the play as a whole and its parts . Eliot's poetic sympathies in recent years have turned more and more to dry ...
Stran 281
... Poetic diction ' no longer rules poetry . Today the poetic vocabulary can be as impassioned as Gerontion , as graceful and ceremonious as Pound's Cathay , as easily familiar as Auden's Voltaire at Ferney . It can accommo- date rhetoric ...
... Poetic diction ' no longer rules poetry . Today the poetic vocabulary can be as impassioned as Gerontion , as graceful and ceremonious as Pound's Cathay , as easily familiar as Auden's Voltaire at Ferney . It can accommo- date rhetoric ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats