Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 86
Stran 12
... poetry which can have quite the same interest for us as the poetry of our own day ; the poetry whose material is the life about us here and now , of which we are a living part ; the poetry whose creators are alive in the way we ...
... poetry which can have quite the same interest for us as the poetry of our own day ; the poetry whose material is the life about us here and now , of which we are a living part ; the poetry whose creators are alive in the way we ...
Stran 176
... poetry does not ask it to . When Wilde speaks of liking art rationally , he means judging it in terms of its human utility ; he means ignoring , or at best , sinking to a secondary ... poetry in terms of what it says rather 176 MODERN POETRY.
... poetry does not ask it to . When Wilde speaks of liking art rationally , he means judging it in terms of its human utility ; he means ignoring , or at best , sinking to a secondary ... poetry in terms of what it says rather 176 MODERN POETRY.
Stran 176
... poetry does not ask it to . When Wilde speaks of liking art rationally , he means judging it in terms of its human utility ; he means ignoring , or at best , sinking to a secondary ... poetry in terms of what it says rather 176 MODERN POETRY.
... poetry does not ask it to . When Wilde speaks of liking art rationally , he means judging it in terms of its human utility ; he means ignoring , or at best , sinking to a secondary ... poetry in terms of what it says rather 176 MODERN POETRY.
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats