Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 44
Stran 176
... rhythm and the rhyme , by which poetry first becomes poetry ; but what is really deeply and fundamentally effective - what is really educative and inspiring , is what remains of the poet when he is trans- lated into prose . Against this ...
... rhythm and the rhyme , by which poetry first becomes poetry ; but what is really deeply and fundamentally effective - what is really educative and inspiring , is what remains of the poet when he is trans- lated into prose . Against this ...
Stran 202
... rhythm and the sound that don't penetrate the blood . ' Poetry is es- sentially movement . Its form is a rhythm . It is a ' body swayed to music . ' But this rhythm is not a matter of external sound pattern only , it is a fusion of two ...
... rhythm and the sound that don't penetrate the blood . ' Poetry is es- sentially movement . Its form is a rhythm . It is a ' body swayed to music . ' But this rhythm is not a matter of external sound pattern only , it is a fusion of two ...
Stran 239
... rhythms in the poetry of today is very different . The aim of Pound , and the Eliot of the early poems , was to reinstate the natural speech rhythm in poetic practice . This is the sharpest difference between the patterns of ' post ...
... rhythms in the poetry of today is very different . The aim of Pound , and the Eliot of the early poems , was to reinstate the natural speech rhythm in poetic practice . This is the sharpest difference between the patterns of ' post ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats