Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 17
Stran 87
... significance to the rest of the world . The result is that quality of wobbling response which the reader experiences so often in modern verse . The language and the rhythms create a preparation for an unusual and exhilarating poetic ex ...
... significance to the rest of the world . The result is that quality of wobbling response which the reader experiences so often in modern verse . The language and the rhythms create a preparation for an unusual and exhilarating poetic ex ...
Stran 213
... our love ' ( ' wrapt ' carries the double significance of ' embrace ' and ' rapture , ' and ' in- flections ' that of ' speech ' and ' enfolding ' ) . In the second stanza , one lover addresses the other VISIONS AND REVISIONS 213.
... our love ' ( ' wrapt ' carries the double significance of ' embrace ' and ' rapture , ' and ' in- flections ' that of ' speech ' and ' enfolding ' ) . In the second stanza , one lover addresses the other VISIONS AND REVISIONS 213.
Stran 216
... significance and scope . This inevitably means that the poem is difficult . It can communicate much without an understanding of its thought , for it moves with a beautiful grace in its inflections , sustaining a rhythm of the rise and ...
... significance and scope . This inevitably means that the poem is difficult . It can communicate much without an understanding of its thought , for it moves with a beautiful grace in its inflections , sustaining a rhythm of the rise and ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats