Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 29
Stran 234
... sound pattern . It was called into being by the new quality of experience sensed particularly by the French Symbolists , and widely developed by contem- porary English and American writers . A new image pat- tern was required which ...
... sound pattern . It was called into being by the new quality of experience sensed particularly by the French Symbolists , and widely developed by contem- porary English and American writers . A new image pat- tern was required which ...
Stran 245
... sound pattern is handled with equal skill . Through- out the opening section down to the line Oh , wave them awake ... sound subsides and the long ' a ' sound first sug- gested in ' away ' and ' chevrolet ' reasserts itself in a sharper ...
... sound pattern is handled with equal skill . Through- out the opening section down to the line Oh , wave them awake ... sound subsides and the long ' a ' sound first sug- gested in ' away ' and ' chevrolet ' reasserts itself in a sharper ...
Stran 249
... sound pat- tern plays its part in the effect achieved . For in the final stanza there is a return to the long ' a ' and sharp ' ï ' sounds which are so conspicuous in the first three stanzas . Thus the sound pattern assists in reviving ...
... sound pat- tern plays its part in the effect achieved . For in the final stanza there is a return to the long ' a ' and sharp ' ï ' sounds which are so conspicuous in the first three stanzas . Thus the sound pattern assists in reviving ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats