Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 32
Stran 48
Elizabeth A. Drew, John L. Sweeney. velopment of a theme , but that of variations on a theme . When this is grasped , the apparent disorder of the move- ment is seen to be part of a different kind of order , not the order of progression ...
Elizabeth A. Drew, John L. Sweeney. velopment of a theme , but that of variations on a theme . When this is grasped , the apparent disorder of the move- ment is seen to be part of a different kind of order , not the order of progression ...
Stran 161
... theme . * And finally there is the unassailable good of the physical world . Curse as you may I sing it through ; What matter if the knave That the most could pleasure you , The children that he gave , Are somewhere sleeping like a top ...
... theme . * And finally there is the unassailable good of the physical world . Curse as you may I sing it through ; What matter if the knave That the most could pleasure you , The children that he gave , Are somewhere sleeping like a top ...
Stran 216
... theme , the tone , the emotional coloring , by their power of direct or indirect suggestion and reverbera- tion , by their richness and fertility of significance and scope . This inevitably means that the poem is difficult . It can ...
... theme , the tone , the emotional coloring , by their power of direct or indirect suggestion and reverbera- tion , by their richness and fertility of significance and scope . This inevitably means that the poem is difficult . It can ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats