Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 54
Stran 94
... whole of it . Since the poet is an artist in language , he will inevitably use language in its intuitive and ... whole being of the poet which participates in his act of creation , and the whole being of the reader which responds . The ...
... whole of it . Since the poet is an artist in language , he will inevitably use language in its intuitive and ... whole being of the poet which participates in his act of creation , and the whole being of the reader which responds . The ...
Stran 204
... whole . Given the moment of imaginative vision , the tone will be set for the whole poem . That will be the center of balance for the whole composition , holding it in equi- poise , and giving it its central meaning . This may not be ...
... whole . Given the moment of imaginative vision , the tone will be set for the whole poem . That will be the center of balance for the whole composition , holding it in equi- poise , and giving it its central meaning . This may not be ...
Stran 216
... whole weight of re- vealing the theme , the tone , the emotional coloring , by their power of direct or indirect suggestion and reverbera- tion , by their richness and fertility of significance and scope . This inevitably means that the ...
... whole weight of re- vealing the theme , the tone , the emotional coloring , by their power of direct or indirect suggestion and reverbera- tion , by their richness and fertility of significance and scope . This inevitably means that the ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats