Shakespeare and the Popular Dramatic Tradition

abstract actor allegorical anachronism Antony and Cleopatra Antony's attitude Berkeley Berkeley Bradbrook burlesque Caesar CALIFORNIA LIBRARY Cesario character Claudius comedy conceit contemporary conventional conventionalism criticism death dialogue Dover Wilson dramatic illusion dual consciousness Duke dumb show Egypt Egyptian Enobarbus Falstaff Feste film fool Gonzago-play Gorboduc Hamlet hath Henry historical human Iago Ibsen implies interpretation King Claudius King Lear Lear's lovers Macbeth method mind modern moral multiconsciousness nature neoclassical Orsino Othello passage plane play as play play world Player's speech players plot poetic drama poetry present Professor Dover Wilson Professor Schücking prose psychological real world reference Renaissance Roman says scene Shake Shakespeare significance soliloquy song speak speare speare's story suggestion symbolic T. S. Eliot theater theme thou thought tion tragedy Troilus and Cressida Twelfth Night Ulysses unconscious UNIVERSITY OF CALIFORNIA verse Wheel of Fire Wilson Knight words world and real writing