And when he had talked a column, Whereupon the Speaker vanished, Truth, February 15, 1877. THE SONG OF PAHTAHQUAHONG. "The Rev, HENRY PAHTAHQUAHONG CHASE, hereditary Chief of the Ojibway tribe, President of the Grand Council of Indians, and missionary of the Colonial and Continental Church Society at Muncey Town, Ontario, Canada, has just arrived in England, on a short visit."-The Standard. STRAIGHT across the Big-Sea-Water, Scratch himself with awful language; From the land of Hiawatha, Land of wigwams, and of wampum, Wot ye well, we'll give him welcome, We will show him all the glories Cries, "Oh, let me leave this England, Of a thousand Boards and Vestries; With Keewaydin-with the Home Wind, Funch, March 12, 1881. A jeu d'esprit somewhat in the nature of The Rejected Adaresses has recently been published by Mr. George Dryden, of Lothian Street, Edin 66 burgh. It is entitled Rejected Tercentenary Songs, with the comments of the Committee appended." Edited by Rolus Ray. It will be remembered that the Edinburgh University has just been celebrating its Tercentenary, and the contents of this amusing little sixpenny pamphlet consist of the Poems supposed to have been sent in, by matriculated students of the University, in competition for a prize of Ten Guineas, offered by the Tercentenary Committee for the best song in honour of the occasion. It contains numerous Latin and Macaronic verses, a long parody of Walt Whitman, one of Gilbert, and two of Longfellow, which I venture to quote. The first is incomplete : "I stood in the quad at midnight, Behind the Tron Kirk tower." PIAMATER. By Alfred Longcove. Should you ask of what I'm writing, Curling around my weary head, With the odours of the class-rooms, Of the many interruptions Through its glassy neck so slender, Put your "go-to-meetings" on you; Don ye your gowns and mortar boards ; Where they go to meet their damsels, Hail to thee, O Parenchyma ! Hail to thee, thou Grecian Pet! Hail to thee, the great Drug Speaker ! On her natal morn be given !!! * 6 The author of The Dagonet Ballads has pro duced so many pathetic poems, descriptive of the terrible miseries of our London poor, that one is rather apt to overlook the humorous poetry proceeding from the same pen. But, like all true masters of pathos, this poet of the people has the power to summon up smiles through our tears. It was well said of Tom Hood "that the blending of the grave with the gay which pervaded his writings, makes it no easy task to class his poems under the heads of serious' and 'comic.'" This remark applies with equal force to the poems of George R. Sims, and were it possible to anticipate the verdict of posterity we might expect to find the names of Hood and Sims classed together; indeed, so far as practical results are concerned, the philanthropical efforts of the younger poet are likely far to exceed anything that was achieved by the author of The Bridge of Sighs and The Song of the Shirt. But this is not the place to consider Mr. Siris' position as a serious writer, although, indeed, even the following poem has a moral : A PLUMBER. (An Episode of a rapid Thaw.) THE dirty snow was thawing fast, As through the London streets there passed A youth, who, mid snow, slush, and ice, Exclaimed, "I don't care what's the priceA Plumber !" We shall not publish the vocabulary with this song.-ED. This parody is to be found in a small volume entitled The Lifeboat and other Poems, by George R. Sims (John P. Fuller, Wine Office Court, London, 1883). By the author's kind permission I am also enabled to quote the very funny, although slightly incoherent, remarks of THE POETS ON THE MARRIAGE It comes as a boon and a blessing to men When from the wife you get a parting benison, ALFRED TENNYSON. When weary, worn, and nigh distraught with grief, AN F.S.A. OF OVER 100 YEARS. Beneath the spreading chestnut tree With Mrs. Smith it's all UP, But he goes on Sunday to the church, And hears her sister's voice; He leaves his scruples in the lurch, The morning sees his suit commenced, The evening sees it done Next day the Parson ties the knot, My happy comrades' bright eyes beam'd, In whitebait's flavour bright and brief. "Try not the duck," my conscience said; 'Twill lie upon your chest like lead; Delusion all, that bird so fair; The sage and onions are a snare. "Oh, taste!" our hostess cried, and press'd A portion of a chicken's breast; I view'd the fowl with longing eye, I mark'd with fix'd and stony glare "Beware the celery, if you please; 'Dyspepsia!" LONGFELLOW. London, 1868.) THE FATE OF THE WINTER RIDer. (By a young lady aged fourteen). His brow was sad, his eye below In cosy sheds he saw the light "Try not that road," the old man said, "'Tis full of holes, you'll break your head ; The farm pond, too, is deep and wide ;" But loud the bicyclist replied, "Rot! Bicycle !" "Beware the oak-tree's withered arm, At break of day, as in a brook A bicyclist, upon the ground, That two-wheeled thing of strange device, There in the twilight cold and grey, While, now no longer bright and fair, His bicycle lay broken there Poor Bicycle! On his high forehead curled copious hair, About half-past nine, as he kep' gettin' upper "Oh take care," cried an old man, “stop ; "Beware the branch of the sycamore tree, About a quarter to six in the next forenoon 66 The very same man about a quarter to seven He was dead, defunct, beyond any doubt, I went to bed at eleven, At the sign of the Azure Boar, With a flickering, flaring candle, When a gentleman-not to my thinking— And he spoke in a language mighty, That rang through the chill and gloom; And he asked me, Highty-tighty,' What the deuce do you do in my room?" And never of warning mildly A word had the stranger said, Ere he took up a bootjack wildly, ; And down with a noise and clatter It fell o'er the winding stair, And some one cried, What's the matter?" And whenever I feel dyspeptic, And whenever my eyelids swell, I see the man with the bootjack, A vindictive person's a brute; Stands like a pudding at Christmas, a white surface, dotted with black things. Loud from the neighbouring river, the deep voiced clamorous bargée Roars, and in accents opprobrious holloas to have the lock opened. These are the green woods of Cliefden. But where are the people who in them Laughed like a man when he lists to the breath-catching accents of Buckstone? Where are the wondrous white waistcoats, the flimsy baréges and muslins, Worn by the swells and the ladies who came here on pleasant excursions? Gone are those light-hearted people, flirtations, perhaps love-even marriage, All have had woeful effect since Mrs. Merillian's picnic; And of that great merry-making, some bottles in tinfoil enveloped, And a glove dropped by Jane Page, are the vestiges only remaining! Ye who take pleasure in picnics, and dote on excursions aquatic, Flying the smoke of the city, vexations and troubles of business, List to a joyous tradition of one which was once held at Cliefden List to a tale of cold chicken, champagne, bitter beer, lobster salad! EDMUND H. YATES. TOWN AND GOWN. BRIGHTLY blazed up the fires through the long dark days of November, Glimmered the genial lamp in the wainscoted rooms of the College, Brightest of all in the roors of De Whyskers, "the talented drinker." Thence came the festive song, and the clink of the bottles and glasses, Thence came the chorus loud, abhorred of the Dean and the Fellows. There sat De Whyskers the jolly, the drinker of curious liquors, There sat De Jones, and De Jenkyns, stroke oar of the Boniface Torpid; There too. De Brown, and De Smith, well known to the eyes of the Proctors, Heedless of numberless ticks, and the schools, and a "plough" in futuro, Sat by the ruddy-faced fire, and quaffed the bright vintage of Xeres. Merrily out to the night through the fogs and the mist of November Floated the breath of the weed through the fields of the dark Empyrean, Rose the melodious sounds of the "dogs" which are known as "the jolly,' "Slapping and "banging along through that noisy and meaningless ditty. But silence! the welkin now rings (whatever the meaning of that is), A rumour of battle is heard, and the wine and the weeds are deserted. |