Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
Iz vsebine knjige
Zadetki 1–3 od 36
Stran 155
... able to tackle the problems that face Kathak today its future will take care of itself . Quite a few of these problems , as also some suggestions for dealing with them , have been already outlined in the preceding chapters ; yet what I ...
... able to tackle the problems that face Kathak today its future will take care of itself . Quite a few of these problems , as also some suggestions for dealing with them , have been already outlined in the preceding chapters ; yet what I ...
Stran 160
... able to check if the innovative ang conforms to the Kathak idiom and does not trespass on that of other dance styles ; and this , again , is not an easy task , for it requires a knowledge of the basics of dances other than Kathak . The ...
... able to check if the innovative ang conforms to the Kathak idiom and does not trespass on that of other dance styles ; and this , again , is not an easy task , for it requires a knowledge of the basics of dances other than Kathak . The ...
Stran 194
... able to absorb the seemingly discordant elements , and to so transform them that they come to serve as a leaven , by adding a little pungency , to the felt charm of the art - work . Second , the presentation in question may so help us ...
... able to absorb the seemingly discordant elements , and to so transform them that they come to serve as a leaven , by adding a little pungency , to the felt charm of the art - work . Second , the presentation in question may so help us ...
Pogosti izrazi in povedi
Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है