Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 41
Stran 10
... common man ; and so lead to a more balanced attitude towards a class of our people that has kept a distinct strand of our cultural life aglow in spite of many handicaps , including lack of formal education . My task in this book is ...
... common man ; and so lead to a more balanced attitude towards a class of our people that has kept a distinct strand of our cultural life aglow in spite of many handicaps , including lack of formal education . My task in this book is ...
Stran 21
... common reply is likely to be affirmative . My own view , however , is that in so far as rhythmic movement with proper ang ( as against concern with outer reality ) is the essence of our dance , pure intra - forms too may be made to ...
... common reply is likely to be affirmative . My own view , however , is that in so far as rhythmic movement with proper ang ( as against concern with outer reality ) is the essence of our dance , pure intra - forms too may be made to ...
Stran 29
... common world into such diverse worlds as those of a mother , a salesman and a college teacher . All these worlds , we are further told , show such common ways of ( world- ) making at work as : composition / decomposition , weighting ...
... common world into such diverse worlds as those of a mother , a salesman and a college teacher . All these worlds , we are further told , show such common ways of ( world- ) making at work as : composition / decomposition , weighting ...
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Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है