Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 63
Stran 48
... experience is no single stretch of awareness with diverse aspects , but a certain number of experiences connected with one another83 . A statue has to be seen from different sides and distances . A classical song too has quite a few ...
... experience is no single stretch of awareness with diverse aspects , but a certain number of experiences connected with one another83 . A statue has to be seen from different sides and distances . A classical song too has quite a few ...
Stran 192
... experience . Yet it may be said to be objective in the sense that it can be realized by all , though again only in terms of a personal experience . f . The fact that one is personally involved here , and enjoys the experience , at once ...
... experience . Yet it may be said to be objective in the sense that it can be realized by all , though again only in terms of a personal experience . f . The fact that one is personally involved here , and enjoys the experience , at once ...
Stran 193
... experience , regarding ourselves as having only undergone the experience . The reality of rasa - experience when it occurs is not the self - conscious awareness of making something happen or of dealing with a situation , but of merely ...
... experience , regarding ourselves as having only undergone the experience . The reality of rasa - experience when it occurs is not the self - conscious awareness of making something happen or of dealing with a situation , but of merely ...
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Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है