Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
Iz vsebine knjige
Zadetki 1–3 od 42
Stran 22
... freely vitiates an average · Kathak's rendering of the ' pure ' intra - forms , of not merely torhās and parans but even of the closing tatkār . For the purpose of understanding , however , the important thing to mark here is that if ...
... freely vitiates an average · Kathak's rendering of the ' pure ' intra - forms , of not merely torhās and parans but even of the closing tatkār . For the purpose of understanding , however , the important thing to mark here is that if ...
Stran 69
... freely , if not unsuspectedly12 , ascribed to all art . We agree that if it is rightly contemplated art takes us away from our everyday concern with things and offers instead its own inner world for indwelling and disinterested relish ...
... freely , if not unsuspectedly12 , ascribed to all art . We agree that if it is rightly contemplated art takes us away from our everyday concern with things and offers instead its own inner world for indwelling and disinterested relish ...
Stran 84
... freely with bols like and . ) But I insist that whatever other letters we may prefer , we cannot here pick bols like and which lack the requisite sharpness or definiteness of a clear take - off and completion . I may add that in so far ...
... freely with bols like and . ) But I insist that whatever other letters we may prefer , we cannot here pick bols like and which lack the requisite sharpness or definiteness of a clear take - off and completion . I may add that in so far ...
Pogosti izrazi in povedi
Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है