Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 50
Stran 50
... individual character of the various intra - forms , nothing prevents the dancer from changing their pre - fixed order or a part of the syllabic filling , or even from projecting the same number in widely different ways . And this is ...
... individual character of the various intra - forms , nothing prevents the dancer from changing their pre - fixed order or a part of the syllabic filling , or even from projecting the same number in widely different ways . And this is ...
Stran 130
... individual and makes him disposed towards things , people and situations in a particular way . Not all mental states are , however , alike in respect of intensity and duration . Such feelings as are quite intense may bring about some ...
... individual and makes him disposed towards things , people and situations in a particular way . Not all mental states are , however , alike in respect of intensity and duration . Such feelings as are quite intense may bring about some ...
Stran 186
... individual . It is lifelike also in the sense that it comprises a human focus ( ālambana ) and a context which is commonly known as uddīpana because it is favourable for the self - revelation of ( a particular sthāyibhāva in terms of ) ...
... individual . It is lifelike also in the sense that it comprises a human focus ( ālambana ) and a context which is commonly known as uddīpana because it is favourable for the self - revelation of ( a particular sthāyibhāva in terms of ) ...
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Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है