Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 43
Stran 121
... instances in Kathak . But let me first explain , quite simply , what the word in question means : Where the native ... instance , unlike shapes of things , sounds cannot be imitated in painting . But , as borne out by The Scream , a ...
... instances in Kathak . But let me first explain , quite simply , what the word in question means : Where the native ... instance , unlike shapes of things , sounds cannot be imitated in painting . But , as borne out by The Scream , a ...
Stran 128
... instance , when one dances to the following invocatory text : ' Ts y ya ay ... ' Here , the flute and the peacock's feathers are directly imitated . Second , the same text may be represented variously by means of different gestures ...
... instance , when one dances to the following invocatory text : ' Ts y ya ay ... ' Here , the flute and the peacock's feathers are directly imitated . Second , the same text may be represented variously by means of different gestures ...
Stran 189
... instance , which make a sättvikabhāva . The cognition that they betoken sorrow , not joy or gratitude , would arise only if the overall look of vibhāva is a sad one . The union which samyoga signifies is , however , no loose putting ...
... instance , which make a sättvikabhāva . The cognition that they betoken sorrow , not joy or gratitude , would arise only if the overall look of vibhāva is a sad one . The union which samyoga signifies is , however , no loose putting ...
Pogosti izrazi in povedi
Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है