Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 53
Stran 52
... kind just pointed out may all be familiar to him , it is aesthetics which makes them the object of express thinking . Let me illustrate by turning once again , though a little differently , to the detail in question . Whatever be the ...
... kind just pointed out may all be familiar to him , it is aesthetics which makes them the object of express thinking . Let me illustrate by turning once again , though a little differently , to the detail in question . Whatever be the ...
Stran 76
... kind , such as the firmament's openness . If the head is made to describe a complete circle — say , in seeking to convey the idea of fainting — the right word for it would be alotita . In Kathak such a movement of the head is also used ...
... kind , such as the firmament's openness . If the head is made to describe a complete circle — say , in seeking to convey the idea of fainting — the right word for it would be alotita . In Kathak such a movement of the head is also used ...
Stran 83
... kind of disinterested delight , a kind of happy feeling which is quite independent of utilitarian considerations . And , quite generally , an art - work may be said to be expressive in the sense that it gives objective expression to the ...
... kind of disinterested delight , a kind of happy feeling which is quite independent of utilitarian considerations . And , quite generally , an art - work may be said to be expressive in the sense that it gives objective expression to the ...
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Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है