Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 83
Stran 33
... means fantastic to say that even a triwat may suffer some change ( for the better ) in a Kathak recital and is therefore an intra - form , because it is ( in principle ) integral to the total dance . g . Some ' Alternatives ' and ...
... means fantastic to say that even a triwat may suffer some change ( for the better ) in a Kathak recital and is therefore an intra - form , because it is ( in principle ) integral to the total dance . g . Some ' Alternatives ' and ...
Stran 121
... means a bank ; fe is a mere syllable that seems euphonious with ; is another meaningless bol that lends a little sparkle to the dance ; and fe here signifies day . In the complex which means the act of contemplating ceaselessly , seems ...
... means a bank ; fe is a mere syllable that seems euphonious with ; is another meaningless bol that lends a little sparkle to the dance ; and fe here signifies day . In the complex which means the act of contemplating ceaselessly , seems ...
Stran 186
... means a situation which is lifelike by virtue of having an identifiable emotive character , though not in that of representing a real , living individual . It is lifelike also in the sense that it comprises a human focus ( ālambana ) ...
... means a situation which is lifelike by virtue of having an identifiable emotive character , though not in that of representing a real , living individual . It is lifelike also in the sense that it comprises a human focus ( ālambana ) ...
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Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है