Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 51
Stran 76
... objects of a lofty kind , such as the firmament's openness . If the head is made to describe a complete circle — say , in ... object of sense - experience . But here the element of hearing is a mere foothold , so to say , for gaining the ...
... objects of a lofty kind , such as the firmament's openness . If the head is made to describe a complete circle — say , in ... object of sense - experience . But here the element of hearing is a mere foothold , so to say , for gaining the ...
Stran 159
... object exists and is of some practical value . The two aspects of the question are not merely conjoined ; for desire and the thought of existence in fact go together . We desire only that which exists or can somehow be brought into ...
... object exists and is of some practical value . The two aspects of the question are not merely conjoined ; for desire and the thought of existence in fact go together . We desire only that which exists or can somehow be brought into ...
Stran 193
... object presents but is at once some assessment , if implicit , of the aesthetic or technical propriety or character of its details and structure . In listening to music , for instance , even a slightly exaggerated dwelling on a ...
... object presents but is at once some assessment , if implicit , of the aesthetic or technical propriety or character of its details and structure . In listening to music , for instance , even a slightly exaggerated dwelling on a ...
Pogosti izrazi in povedi
Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है