Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 45
Stran 26
... perhaps even a little stiff , in other contexts . The latter is visible in patterns which open as 33 ; and the former where the Kathak may choose to give , say , a glimpse of samkeerna jāti by dancing the following bols : À§ 17 À§ , 311 ...
... perhaps even a little stiff , in other contexts . The latter is visible in patterns which open as 33 ; and the former where the Kathak may choose to give , say , a glimpse of samkeerna jāti by dancing the following bols : À§ 17 À§ , 311 ...
Stran 81
... perhaps with obvious impatience , the resumption of dance ; mellifluous , but a little too intricate , singing which draws attention to itself and away from the dance ; and a lahrā overlaid with too many flourishes - features such as ...
... perhaps with obvious impatience , the resumption of dance ; mellifluous , but a little too intricate , singing which draws attention to itself and away from the dance ; and a lahrā overlaid with too many flourishes - features such as ...
Stran 84
... Perhaps the most obvious feature of this composition is its terminal definiteness . And I think it is valuable too ... perhaps by way of emphatic drumming , paṛhant or gestural incisiveness — to provide clarity to the two ends . In any ...
... Perhaps the most obvious feature of this composition is its terminal definiteness . And I think it is valuable too ... perhaps by way of emphatic drumming , paṛhant or gestural incisiveness — to provide clarity to the two ends . In any ...
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Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है