Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 80
Stran 64
... question I have posed is important . But we cannot turn to it directly . Kathak is one of our classical dances , and therefore a proper dealing with the question requires that we first reflect a little on the nature of dance taken ...
... question I have posed is important . But we cannot turn to it directly . Kathak is one of our classical dances , and therefore a proper dealing with the question requires that we first reflect a little on the nature of dance taken ...
Stran 92
... question depends also on the rasika's own competence . If he cannot do it , the defect may be merely his , and not really in the number itself . The pattern in question may yet be intelligible — say , to a superior rasika - in respect ...
... question depends also on the rasika's own competence . If he cannot do it , the defect may be merely his , and not really in the number itself . The pattern in question may yet be intelligible — say , to a superior rasika - in respect ...
Stran 117
... question . Here I find it instructive to mark a feature of our Kathak parlance . In respect of bhāva - pradarshan on a thumri we often use the words rather than the following : भावों का इज़हार करना or उन्हें ...
... question . Here I find it instructive to mark a feature of our Kathak parlance . In respect of bhāva - pradarshan on a thumri we often use the words rather than the following : भावों का इज़हार करना or उन्हें ...
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Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है