Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 88
Stran 19
... rhythmic pattern is often far richer . It is notice of the details of relatedness between the bols of a pattern - perhaps mere limpid succession , or the build - up and release of a tension , or even the projection of a single little ...
... rhythmic pattern is often far richer . It is notice of the details of relatedness between the bols of a pattern - perhaps mere limpid succession , or the build - up and release of a tension , or even the projection of a single little ...
Stran 93
... rhythmic flow , and may therefore be called mnemonic , as in the case of the filling of rhythmic patterns . Further , the content of ' pure ' dance intra - forms ( or numbers ) , such as a torhã or a paran , though it is surely a ...
... rhythmic flow , and may therefore be called mnemonic , as in the case of the filling of rhythmic patterns . Further , the content of ' pure ' dance intra - forms ( or numbers ) , such as a torhã or a paran , though it is surely a ...
Stran 161
... rhythmic accent in a spirit of joyous abandon , yet without any lapse in returning to the basic laya flow and ( in the end ) to the sama ; to dance competently even with a new drummer with whom no pattern has been rehearsed ; and ...
... rhythmic accent in a spirit of joyous abandon , yet without any lapse in returning to the basic laya flow and ( in the end ) to the sama ; to dance competently even with a new drummer with whom no pattern has been rehearsed ; and ...
Pogosti izrazi in povedi
Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है