Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 54
Stran 36
... speak of a mudrā as having a meaning is one thing ; to see its meaning being revealed is quite another . So I prefer to speak of a mudrā as a hand gesture that serves as the focus of a posture which is demanded by or is accordant with ...
... speak of a mudrā as having a meaning is one thing ; to see its meaning being revealed is quite another . So I prefer to speak of a mudrā as a hand gesture that serves as the focus of a posture which is demanded by or is accordant with ...
Stran 68
... speak quite generally , the fluency of an old Kathak's footwork is no direct clue to his own actual state of health . The life of the dance is one thing ; the dancer's own existence quite another . The following bunch of bols — aff ...
... speak quite generally , the fluency of an old Kathak's footwork is no direct clue to his own actual state of health . The life of the dance is one thing ; the dancer's own existence quite another . The following bunch of bols — aff ...
Stran 74
... speak of the ' actions ' of a person ; and of ' movement ' of his body . Blinking or the tremor of a limb , awkwardly put , are cases of mere movement ; helping someone with a loan is an action , though it may also involve quite a few ...
... speak of the ' actions ' of a person ; and of ' movement ' of his body . Blinking or the tremor of a limb , awkwardly put , are cases of mere movement ; helping someone with a loan is an action , though it may also involve quite a few ...
Pogosti izrazi in povedi
Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है