Swinging Syllables, Aesthetics of Kathak DanceSangeet Natak Akademi, 1991 - 195 strani |
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Zadetki 1–3 od 61
Stran 66
... whole makes it clear that virtually the whole body is involved here . How dance can clothe the soul in a kind of beauty may not be clear , especially in view of its metaphysical properties such as eternality . But if the word be taken ...
... whole makes it clear that virtually the whole body is involved here . How dance can clothe the soul in a kind of beauty may not be clear , especially in view of its metaphysical properties such as eternality . But if the word be taken ...
Stran 104
... whole intra - form is danced at fairly quick laya , and usually after the execution of tukṛās and parans ; but , because of the sparse filling of bols , the dance here does not appear very brisk on the whole . ( Functionally , it ...
... whole intra - form is danced at fairly quick laya , and usually after the execution of tukṛās and parans ; but , because of the sparse filling of bols , the dance here does not appear very brisk on the whole . ( Functionally , it ...
Stran 181
... whole process of aesthetic arrangement proceeds . It is not a mere element to be put together with others ; it rather determines , as a basic and regulative ( if unobtrusive ) power , the whole work of configuration itself . ' So ...
... whole process of aesthetic arrangement proceeds . It is not a mere element to be put together with others ; it rather determines , as a basic and regulative ( if unobtrusive ) power , the whole work of configuration itself . ' So ...
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Abhinavagupta abhinaya accompanist aesthetic experience aestheticians amad appear art-work artist attention attunement bandish basic beats beauty Bharatanatyam bhāva Birju Maharaj bodily bols character charm chukkurdār classical dance clear contemplation course creative dance form dancer danseuse demands dhruvapada distinct distinguished drummer elements emotion emphasis essay essential everyday expression expressional fact feeling flow footfalls footwork freely gently gestures hand Ibid imagination individual inner intra-form Jāti Kathak dance Kathak Kendra Kathak recital kind Krishna lahra Langer läsya laya look mark mātrās means merely movement mudrā mukhvilās nritta object Odissi overall pace Pakhawaj paran paṛhant pattern Phenomenology posture present projection question rāga rasa rasika relation relish representation respect rhythm rhythmic sangeet seems seen self-complete sense speak śringāra sthāyibhāva suggest syllables Tablā taken tāla tatkār thața thumri tiyā torhā Tritāla vandanā variform vibhāva vilambit vocal whole winsome word थेई धधिगिन है