The Arts and Humanity: A Psychological Introduction to the Fine ArtsPhilosophical Library, 1952 - 334 strani |
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Zadetki 1–3 od 14
Stran 91
... direct thought transference from the mind of the artist to the mind of the artee -- we can believe this without denying the miracle of human insights and intuitions . There- fore there is no direct line connecting the top and bottom ...
... direct thought transference from the mind of the artist to the mind of the artee -- we can believe this without denying the miracle of human insights and intuitions . There- fore there is no direct line connecting the top and bottom ...
Stran 98
... direct and objective rela- tion between the territory mapped or subject photographed and the map or photograph . In the case of the photographer , the more he becomes an artist - the more he selects , poses , or arranges his sub- jects ...
... direct and objective rela- tion between the territory mapped or subject photographed and the map or photograph . In the case of the photographer , the more he becomes an artist - the more he selects , poses , or arranges his sub- jects ...
Stran 237
... direct sense image of the pictured boat and printed word , and that you also ' saw ' the purely mental image of a boat evoked by the meaning of the word . Images of direct perception that result from immediate sensa- tions , we shall ...
... direct sense image of the pictured boat and printed word , and that you also ' saw ' the purely mental image of a boat evoked by the meaning of the word . Images of direct perception that result from immediate sensa- tions , we shall ...
Vsebina
The Interrelation of Art Experience and Theory | 3 |
INTRODUCTION TO ART BEAUTY AND MEANING | 17 |
On the Personal Cultivation of Taste | 112 |
Avtorske pravice | |
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Pogosti izrazi in povedi
active forms Aesop aesthetic art theory artee artee's artist ARTS AND HUMANITY attention auditory balance beauty and meaning Black Panther called chapter color complex conscious consider context creative art activity critical interpretation dance Der Erlkönig developed discussion effects emotion Erlking expression formal feelings free images hear human needs I. A. Richards interpretative creative activity kylix Last Duchess Libyan Sibyl light lion look Marriage of Figaro Michelangelo mind mood muscular musical performance naive responses nature Nebraska State Capitol observe organic painter painting pattern perceived perhaps Perseus persons phrase piano picture play poem public object Pyramus Pyramus and Thisbe question reading referent Reims Cathedral relation responsive art experience rhythm rience sculpture sensations sensory data sensory perception song sort sound waves stageplay statue suggested symbol symphony taste theater theme THESEUS things Thisbe thoughts tion various visual words World of Art