The Arts and Humanity: A Psychological Introduction to the Fine ArtsPhilosophical Library, 1952 - 334 strani |
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Zadetki 1–3 od 82
Stran 160
... picture is a complex sign ? A sign , you will recall , is not the referent ; it only ' stands for ' the referent . This picture makes use of resemblative signs ; they stood in a simi- larity relation to their referents in Grant Wood's ...
... picture is a complex sign ? A sign , you will recall , is not the referent ; it only ' stands for ' the referent . This picture makes use of resemblative signs ; they stood in a simi- larity relation to their referents in Grant Wood's ...
Stran 228
... Pictures . Guy T. Bus- well developed special laboratory equipment at the University of Chicago for photographing the eye movements of an individual while he is looking at a picture . It is his assumption that " the center of fixation ...
... Pictures . Guy T. Bus- well developed special laboratory equipment at the University of Chicago for photographing the eye movements of an individual while he is looking at a picture . It is his assumption that " the center of fixation ...
Stran 229
... picture do influence the character of his eye movements and perception . So much , then , for the eye movements during the active process of looking at a picture . It would be helpful if other parts of the pro- cess could be studied in ...
... picture do influence the character of his eye movements and perception . So much , then , for the eye movements during the active process of looking at a picture . It would be helpful if other parts of the pro- cess could be studied in ...
Vsebina
The Interrelation of Art Experience and Theory | 3 |
INTRODUCTION TO ART BEAUTY AND MEANING | 17 |
On the Personal Cultivation of Taste | 112 |
Avtorske pravice | |
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active forms Aesop aesthetic art theory artee artee's artist ARTS AND HUMANITY attention auditory balance beauty and meaning Black Panther called chapter color complex conscious consider context creative art activity critical interpretation dance Der Erlkönig developed discussion effects emotion Erlking expression formal feelings free images hear human needs I. A. Richards interpretative creative activity kylix Last Duchess Libyan Sibyl light lion look Marriage of Figaro Michelangelo mind mood muscular musical performance naive responses nature Nebraska State Capitol observe organic painter painting pattern perceived perhaps Perseus persons phrase piano picture play poem public object Pyramus Pyramus and Thisbe question reading referent Reims Cathedral relation responsive art experience rhythm rience sculpture sensations sensory data sensory perception song sort sound waves stageplay statue suggested symbol symphony taste theater theme THESEUS things Thisbe thoughts tion various visual words World of Art