The Arts and Humanity: A Psychological Introduction to the Fine ArtsPhilosophical Library, 1952 - 334 strani |
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Zadetki 1–3 od 32
Stran 233
... sensations ( from outside or internal stimuli ) crowd in with their demands irrelevant to the reading sensations . One difference between the sensory perception of a poem and of a picture is that the pattern of eye movements is ...
... sensations ( from outside or internal stimuli ) crowd in with their demands irrelevant to the reading sensations . One difference between the sensory perception of a poem and of a picture is that the pattern of eye movements is ...
Stran 261
... sensations integrated with visual and / or other sensory data and a wide variety of contextual data . The equilibrial and kines- thetic sensations are the attentional focus in such a perception . And they are sometimes the actual sensations ...
... sensations integrated with visual and / or other sensory data and a wide variety of contextual data . The equilibrial and kines- thetic sensations are the attentional focus in such a perception . And they are sometimes the actual sensations ...
Stran 266
... sensations ( or images ) of articulation will be fused with the organic sensations of rhythmic recurrence . Another illustration may well be introduced to conclude this section . Here is the musical notation for Robert Schumann's piano ...
... sensations ( or images ) of articulation will be fused with the organic sensations of rhythmic recurrence . Another illustration may well be introduced to conclude this section . Here is the musical notation for Robert Schumann's piano ...
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The Interrelation of Art Experience and Theory | 3 |
INTRODUCTION TO ART BEAUTY AND MEANING | 17 |
On the Personal Cultivation of Taste | 112 |
Avtorske pravice | |
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Pogosti izrazi in povedi
active forms Aesop aesthetic art theory artee artee's artist ARTS AND HUMANITY attention auditory balance beauty and meaning Black Panther called chapter color complex conscious consider context creative art activity critical interpretation dance Der Erlkönig developed discussion effects emotion Erlking expression formal feelings free images hear human needs I. A. Richards interpretative creative activity kylix Last Duchess Libyan Sibyl light lion look Marriage of Figaro Michelangelo mind mood muscular musical performance naive responses nature Nebraska State Capitol observe organic painter painting pattern perceived perhaps Perseus persons phrase piano picture play poem public object Pyramus Pyramus and Thisbe question reading referent Reims Cathedral relation responsive art experience rhythm rience sculpture sensations sensory data sensory perception song sort sound waves stageplay statue suggested symbol symphony taste theater theme THESEUS things Thisbe thoughts tion various visual words World of Art