The Arts and Humanity: A Psychological Introduction to the Fine ArtsPhilosophical Library, 1952 - 334 strani |
Iz vsebine knjige
Zadetki 1–3 od 44
Stran 233
... sensory data are integrated with context ( past experience of words and things ) and are perceived as words , meaningful signs . There are other eye movements besides the saccadic jumps along the lines of printing . Some of these , for ...
... sensory data are integrated with context ( past experience of words and things ) and are perceived as words , meaningful signs . There are other eye movements besides the saccadic jumps along the lines of printing . Some of these , for ...
Stran 243
... sensory data with relevant con- textual data from their musical experience . Let us bring this section to a close by suggesting a musical illus- tration . It is impossible , as we have already noted , to get the music itself into a book ...
... sensory data with relevant con- textual data from their musical experience . Let us bring this section to a close by suggesting a musical illus- tration . It is impossible , as we have already noted , to get the music itself into a book ...
Stran 248
... sensory data of several sorts . These pointers may prove helpful : 1. Free yourself from conflicting stimuli . Although it is true that competing stimuli may increase your concentration under some cir- cumstances , they also distract ...
... sensory data of several sorts . These pointers may prove helpful : 1. Free yourself from conflicting stimuli . Although it is true that competing stimuli may increase your concentration under some cir- cumstances , they also distract ...
Vsebina
The Interrelation of Art Experience and Theory | 3 |
INTRODUCTION TO ART BEAUTY AND MEANING | 17 |
On the Personal Cultivation of Taste | 112 |
Avtorske pravice | |
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Pogosti izrazi in povedi
active forms Aesop aesthetic art theory artee artee's artist attention auditory balance beauty and meaning Black Panther called chapter color complex conscious consider creative art activity critical interpretation dance developed discussion Dvorák effects emotion Erlking expression formal feelings free images Grant Wood hear human needs I. A. Richards idea interpretative creative activity kylix Last Duchess Libyan Sibyl light lion look Marriage of Figaro Mastersingers Michelangelo mind mood muscular musical performance naive responses nature Nebraska State Capitol observe organic painter painting pattern perceived perhaps Perseus persons phrase piano picture play poem public object Pyramus Pyramus and Thisbe question reading referent Reims Cathedral relation responsive art experience rhythm rience sculpture sensations sensory data sensory perception song sort sound waves stageplay stand statue suggested symbol symphony taste theater theme THESEUS things Thisbe thoughts tion various visual words World of Art