Technicians of Ecstasy: Shamanism and the Modern ArtistBramble Books, 1993 - 342 strani This book grew, in part, out of an undergraduate course Dr. Levy taught at the San Francisco Art Institute. Finding that students were still subscribing to the 19th-century bohemian myth that to have a vision, one had to, in the words of Rimbaud, "systematically derange" one's senses, he attempted to expose them to an alternative myth that is more positive -- a myth rooted in the grounded practice of shamanic techniques. |
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Alex Grey animals Arthur Tress audience aware become believe Beuys body Borofsky Borofsky's Breton Buñuel Butoh canvas Carolee Schneemann Cézanne Cézanne's Chirico collage consciousness contemporary create creative Dada Dali dance death drawings dream images Dzogchen Edelson energy Ereshkegal Ernst experience eyes feel Finley Frida Kahlo frottage Gallery gestures Giorgio de Chirico Goddess Gogh Grey healing Henri Rousseau Higby Higby's idea important Inanna inches Irwin Jonathan Borofsky Joseph Beuys Kahlo kind Klein landscape light lines looking magical Max Ernst McCoy Meat Joy meditation mind Morandi Museum non-ordinary reality objects Onslow-Ford painter painting performance photographs physical poems poet psychic quoted in Wechsler realm Rilke Rimbaud ritual Rosenthal Rousseau Schneemann sculpture seer shamanic shamanic journey shamanic practice shamanic techniques space spiritual studio Surrealism surrealist symbols theatre things tion tonal trance trans Tress Un Chien Andalou viewer vision visual waking wall women words wrote York Yves Klein