Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
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Zadetki 1–3 od 27
Stran 41
... calling himself an ape , rather than Quilty , and when the two face one another , Quilty also calls Humbert an ape . This transference is forcefully under- scored when Humbert refers to himself as running along like " Mr. Hyde , " his ...
... calling himself an ape , rather than Quilty , and when the two face one another , Quilty also calls Humbert an ape . This transference is forcefully under- scored when Humbert refers to himself as running along like " Mr. Hyde , " his ...
Stran 85
... calls his " lust . " " " But if we compare Humbert to another demented storyteller in Nabo- kov , Hermann in Despair ... calling both Humbert and Hermann " neurotic scoundrels , " does make an important distinction between them , when he ...
... calls his " lust . " " " But if we compare Humbert to another demented storyteller in Nabo- kov , Hermann in Despair ... calling both Humbert and Hermann " neurotic scoundrels , " does make an important distinction between them , when he ...
Stran 94
... calls " pseudoparody to disarm criticism . ” I am suggesting , then , that Lolita can only be a love story through being a parody of love stories . The most valuable insight about Lolita that I know is John Hollander's idea of the book ...
... calls " pseudoparody to disarm criticism . ” I am suggesting , then , that Lolita can only be a love story through being a parody of love stories . The most valuable insight about Lolita that I know is John Hollander's idea of the book ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing