Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
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Zadetki 1–3 od 15
Stran 21
Harold Bloom. stiffness is not at all insane . Their spirit is comic - pathetic , and its tactics are most sane and sophisticated , the " unintentional " effects amplifying the in- tentional ones both in the wit and in the pathos : Where ...
Harold Bloom. stiffness is not at all insane . Their spirit is comic - pathetic , and its tactics are most sane and sophisticated , the " unintentional " effects amplifying the in- tentional ones both in the wit and in the pathos : Where ...
Stran 51
... comic vision ; and the gusto of Humbert's narration , his punning language , his abundant delight in digressions , parodies , and games all attest to a comic vision that overrides the circumscribing sadness , absurdity , and terror of ...
... comic vision ; and the gusto of Humbert's narration , his punning language , his abundant delight in digressions , parodies , and games all attest to a comic vision that overrides the circumscribing sadness , absurdity , and terror of ...
Stran 109
... comic version of Ash - Wednesday . The distinctive repetitions of the first section of the poem positively cry out for parodic imitation : Because you took advantage of a sinner because you took advantage because you took because you ...
... comic version of Ash - Wednesday . The distinctive repetitions of the first section of the poem positively cry out for parodic imitation : Because you took advantage of a sinner because you took advantage because you took because you ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing