Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
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Zadetki 1–3 od 10
Stran 55
... conventional " reality . " What H. H. overlooks until it is too late is the unique mystery in even such seemingly conventional characters as his nymphet . In his Nikolai Gogol , Nabokov praises The Government Inspector ( which he calls ...
... conventional " reality . " What H. H. overlooks until it is too late is the unique mystery in even such seemingly conventional characters as his nymphet . In his Nikolai Gogol , Nabokov praises The Government Inspector ( which he calls ...
Stran 56
... conventional scenes in order to torment the hero , or to seduce the tantalizing , elusive woman who embodies both ... conventionally seduc- tive , is viewed with distaste . While the theme of an affair between the lodger and the mother ...
... conventional scenes in order to torment the hero , or to seduce the tantalizing , elusive woman who embodies both ... conventionally seduc- tive , is viewed with distaste . While the theme of an affair between the lodger and the mother ...
Stran 57
... conventional marriage with the mother , just as earlier he married Valeria ( whom he calls a " stock character " ) so as to overcome his abnormal yearn- ing for nymphets . The disgust Humbert feels for these stylized , “ normal big ...
... conventional marriage with the mother , just as earlier he married Valeria ( whom he calls a " stock character " ) so as to overcome his abnormal yearn- ing for nymphets . The disgust Humbert feels for these stylized , “ normal big ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing