Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 16
Stran 35
... course all the worst propensities of the diarist are embodied in Humbert's rhetoric , parodying the first - person singular's almost inevitable solipsism and most tendentious assumptions about self , and the reader who is late in ...
... course all the worst propensities of the diarist are embodied in Humbert's rhetoric , parodying the first - person singular's almost inevitable solipsism and most tendentious assumptions about self , and the reader who is late in ...
Stran 61
... course constantly branched , Lo , in slacks , and her companion , in shorts . " The alternate vision is not life's course , but rather the alternative suggested by the imagination , or by the process of artistic creation which ...
... course constantly branched , Lo , in slacks , and her companion , in shorts . " The alternate vision is not life's course , but rather the alternative suggested by the imagination , or by the process of artistic creation which ...
Stran 76
... course of the novel , his spiritual leap , may conveniently be defined ( in the terms of Joyce's Stephen Dedalus ) as a move from a kinetic to an aesthetic attitude in his feeling for Lolita . In Stephen's case much of his priggishness ...
... course of the novel , his spiritual leap , may conveniently be defined ( in the terms of Joyce's Stephen Dedalus ) as a move from a kinetic to an aesthetic attitude in his feeling for Lolita . In Stephen's case much of his priggishness ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing