Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 9
Stran 13
... direct way by referring to his descriptions of the literature he dislikes , and indirectly from those descriptions of what literature should be which Occupy most of the space of What Is Art ? He defined that “ art of the future " which ...
... direct way by referring to his descriptions of the literature he dislikes , and indirectly from those descriptions of what literature should be which Occupy most of the space of What Is Art ? He defined that “ art of the future " which ...
Stran 48
... of Lolita : I have tried my best to show the workings of the book , at least some of its workings . Its charm , humour and pathos can only be appreciated by direct reading . But for enlightenment of those 48 / ALFRED Appel , Jr.
... of Lolita : I have tried my best to show the workings of the book , at least some of its workings . Its charm , humour and pathos can only be appreciated by direct reading . But for enlightenment of those 48 / ALFRED Appel , Jr.
Stran 73
... direct ap- plication to his own Art . Madame Bovary is enough to demonstrate that the artist's own , largely involuntary , humanity or " heart " is the ultimate basis for great art . The force of Flaubert , both in his major novel and ...
... direct ap- plication to his own Art . Madame Bovary is enough to demonstrate that the artist's own , largely involuntary , humanity or " heart " is the ultimate basis for great art . The force of Flaubert , both in his major novel and ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing