Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 15
Stran 19
... figures modeled after the same ideal to some degree . They employed their gift of eloquence to proclaim noble truths with noble gestures . It is Nabokov's version of the artist figure , as enigma and paradox , which is really alien to ...
... figures modeled after the same ideal to some degree . They employed their gift of eloquence to proclaim noble truths with noble gestures . It is Nabokov's version of the artist figure , as enigma and paradox , which is really alien to ...
Stran 49
... figure of the exile embodies the human condition in our time , and no one has written more movingly about this figure than Nabokov . But the exile has his past - like the movie extras in " The Assis- tant Producer , " that may well be ...
... figure of the exile embodies the human condition in our time , and no one has written more movingly about this figure than Nabokov . But the exile has his past - like the movie extras in " The Assis- tant Producer , " that may well be ...
Stran 89
... figure is prolepsis , its central structural figure is displacement or incongruity . Often cultural or geographical , in- congruity appears in such local details as Charlotte's calling her patio a " piazza " and speaking French with an ...
... figure is prolepsis , its central structural figure is displacement or incongruity . Often cultural or geographical , in- congruity appears in such local details as Charlotte's calling her patio a " piazza " and speaking French with an ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing