Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 23
Stran 46
... language , man has " grown a very / landfish , languageless , / a monster , " as Thersites says of Ajax in Shakespeare's Troilus and Cressida . Nabokov and his beleaguered first person narrators have looked into the void , but they do ...
... language , man has " grown a very / landfish , languageless , / a monster , " as Thersites says of Ajax in Shakespeare's Troilus and Cressida . Nabokov and his beleaguered first person narrators have looked into the void , but they do ...
Stran 94
... language . It is also relevant that a writer inevitably speaks in the borrowed language of literary conven- tion . Like so many other writers of the nineteenth and twentieth centuries , Nabokov dreams of detaching his representation ...
... language . It is also relevant that a writer inevitably speaks in the borrowed language of literary conven- tion . Like so many other writers of the nineteenth and twentieth centuries , Nabokov dreams of detaching his representation ...
Stran 95
... language as an objective presence , not merely a vehicle . It may also be that wordplay is used to overcome language : in Despair , Hermann says that he likes " to make words look self - conscious and foolish , to bind them by the mock ...
... language as an objective presence , not merely a vehicle . It may also be that wordplay is used to overcome language : in Despair , Hermann says that he likes " to make words look self - conscious and foolish , to bind them by the mock ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing