Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 49
Stran 26
... moral inheritance . And , finally , the tone and form of the novel , while they win our sympathy for Humbert , prevent that sympathy from following any con- ventional outlines of pity and understanding . The wit is insolent , the mock ...
... moral inheritance . And , finally , the tone and form of the novel , while they win our sympathy for Humbert , prevent that sympathy from following any con- ventional outlines of pity and understanding . The wit is insolent , the mock ...
Stran 36
... moral position , " but the way in which Nabokov enlists us , against our will , on Humbert's side . " Pity is the password , " says John Shade , speaking for his creator . Nabokov purposely takes a shocking sub- ject in Lolita , and ...
... moral position , " but the way in which Nabokov enlists us , against our will , on Humbert's side . " Pity is the password , " says John Shade , speaking for his creator . Nabokov purposely takes a shocking sub- ject in Lolita , and ...
Stran 115
... moral sense among other things , but the idea of beauty is the larger . The moral sense is an obligation , which we pay resignedly as a part of the price of beauty . This duty is not Kantianly near to religion ; it is nearer to Customs ...
... moral sense among other things , but the idea of beauty is the larger . The moral sense is an obligation , which we pay resignedly as a part of the price of beauty . This duty is not Kantianly near to religion ; it is nearer to Customs ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing