Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 21
Stran 2
... reality only what is already Nabokovian . Jane Austen , a powerful Protes- tant will , was as interested in social reality as the compulsive Dreiser was , but Nabokov's social reality died forever with the Bolshevik Revolution ...
... reality only what is already Nabokovian . Jane Austen , a powerful Protes- tant will , was as interested in social reality as the compulsive Dreiser was , but Nabokov's social reality died forever with the Bolshevik Revolution ...
Stran 31
... reality ; though finding reality does not mean , for Nabokov , renouncing romance , but combining that with its opposite , in a stable counterpoint of the idyllic with the gro- tesque . Indeed , Humbert himself stands in the same ...
... reality ; though finding reality does not mean , for Nabokov , renouncing romance , but combining that with its opposite , in a stable counterpoint of the idyllic with the gro- tesque . Indeed , Humbert himself stands in the same ...
Stran 56
... reality ” in which the object of passion and the lover can meet . Nabokov's way of constantly reworking and varying the theme of artistic creation reflects his belief that " verisimilitude " exists only in relation to imaginative ...
... reality ” in which the object of passion and the lover can meet . Nabokov's way of constantly reworking and varying the theme of artistic creation reflects his belief that " verisimilitude " exists only in relation to imaginative ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing