Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 42
Stran 36
... says John Shade , speaking for his creator . Nabokov purposely takes a shocking sub- ject in Lolita , and when we are sympathetic to Humbert , Nabokov has successfully expanded our potential for compassion , and has demonstrated that ...
... says John Shade , speaking for his creator . Nabokov purposely takes a shocking sub- ject in Lolita , and when we are sympathetic to Humbert , Nabokov has successfully expanded our potential for compassion , and has demonstrated that ...
Stran 44
... says Humbert , " had affinities with my own . He mimed and mocked me . " Quilty's penchant for “ log- adaedaly and logomancy " double Humbert's own excesses , and Quilty's death scene rhetoric and trail of recondite , " insulting ...
... says Humbert , " had affinities with my own . He mimed and mocked me . " Quilty's penchant for “ log- adaedaly and logomancy " double Humbert's own excesses , and Quilty's death scene rhetoric and trail of recondite , " insulting ...
Stran 49
... says , near the end of the novel , " I was weeping again , drunk on the impossible past . ' Even Lolita tells him that " the past was the past , " and his efforts to recap- ture it are made more than ludicrous by the congruent parody of ...
... says , near the end of the novel , " I was weeping again , drunk on the impossible past . ' Even Lolita tells him that " the past was the past , " and his efforts to recap- ture it are made more than ludicrous by the congruent parody of ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing