Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 36
Stran 76
... seems to need a difficult spiritual leap and yet , once the leap has been made , there seems to be no point at which they can be picked apart . The second is a transforming , not a simple supplanting , of the first . The difference that ...
... seems to need a difficult spiritual leap and yet , once the leap has been made , there seems to be no point at which they can be picked apart . The second is a transforming , not a simple supplanting , of the first . The difference that ...
Stran 79
... seems the most useful application of Nabokov's later resistance to moralistic readings of the novel . It does not seem to me to be true of Lolita to suggest , as Appel's remarks appear to , that it is totally isolated in a self ...
... seems the most useful application of Nabokov's later resistance to moralistic readings of the novel . It does not seem to me to be true of Lolita to suggest , as Appel's remarks appear to , that it is totally isolated in a self ...
Stran 103
... seems explicit by comparison . If sex must be dealt with in a novel , Nabokov seems to be saying , authors should proceed with Humbert's circumspection . Here we seem to be on the verge of admitting that someone like Appel is right ...
... seems explicit by comparison . If sex must be dealt with in a novel , Nabokov seems to be saying , authors should proceed with Humbert's circumspection . Here we seem to be on the verge of admitting that someone like Appel is right ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing