Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 17
Stran 47
... style that seems to parody all styles , including its own . This self - parodying tone is well - defined by a writer much admired by Nabokov . Jorge Luis Borges says that " the Baroque is that style which deliberately exhausts ( or ...
... style that seems to parody all styles , including its own . This self - parodying tone is well - defined by a writer much admired by Nabokov . Jorge Luis Borges says that " the Baroque is that style which deliberately exhausts ( or ...
Stran 95
... style chiefly has the value of a poetic myth . A literature of pure language and convention is a dream , congruent with the dream of a literature beyond interpretation ; it is a dream of literature as a word game with no depth , a ...
... style chiefly has the value of a poetic myth . A literature of pure language and convention is a dream , congruent with the dream of a literature beyond interpretation ; it is a dream of literature as a word game with no depth , a ...
Stran 107
... style , and what kind of authority is given to a particular view by the context . Here is another example of the Humbert style in action : “ I had always thought that wringing one's hands was a fictional gesture - the outcome , perhaps ...
... style , and what kind of authority is given to a particular view by the context . Here is another example of the Humbert style in action : “ I had always thought that wringing one's hands was a fictional gesture - the outcome , perhaps ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing