Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 7
Stran 41
... symbolic " act , the killing is gratuitous ; the parodic design is complete . Quilty rightly balks at his symbolic role : " I'm not responsible for the rapes of others . Absurd ! " he tells Humbert , and his words are well taken , for ...
... symbolic " act , the killing is gratuitous ; the parodic design is complete . Quilty rightly balks at his symbolic role : " I'm not responsible for the rapes of others . Absurd ! " he tells Humbert , and his words are well taken , for ...
Stran 42
... symbolic association with Lolita ; the monstrous self that has devoured Lolita , bubblegum , childhood and all , is “ symbolically " dead , but as the bubble explodes , so does the Gothic doppelgänger convention , with all its own ...
... symbolic association with Lolita ; the monstrous self that has devoured Lolita , bubblegum , childhood and all , is “ symbolically " dead , but as the bubble explodes , so does the Gothic doppelgänger convention , with all its own ...
Stran 78
... symbolic handling of emotion , by which he progresses from pornographic cynicism to genuine impersonality , is conducted largely by the two characters who are to him respectively human individual , and fellow - or rival - artist ...
... symbolic handling of emotion , by which he progresses from pornographic cynicism to genuine impersonality , is conducted largely by the two characters who are to him respectively human individual , and fellow - or rival - artist ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing