Vladimir Nabokov's LolitaHarold Bloom Chelsea House, 1987 - 131 strani A collection of six critical essays on Faulkner's Light in August, arranged in chronological order of their original publication. |
Iz vsebine knjige
Zadetki 1–3 od 17
Stran 43
... tion , which my most inimical reader should experience now . Even here Humbert withholds Quilty's identity , though the “ astute reader " may recognize that " Waterproof ” is a clue which leads back to an early scene at the lake , in ...
... tion , which my most inimical reader should experience now . Even here Humbert withholds Quilty's identity , though the “ astute reader " may recognize that " Waterproof ” is a clue which leads back to an early scene at the lake , in ...
Stran 75
... tion , the manner in which he matures differs from the usual patterns of the bildungsroman and indeed from the more customary modes of fiction gen- erally . Whereas the novel , and especially the bildungsroman , characteristi- cally ...
... tion , the manner in which he matures differs from the usual patterns of the bildungsroman and indeed from the more customary modes of fiction gen- erally . Whereas the novel , and especially the bildungsroman , characteristi- cally ...
Stran 80
... tion . The emotionally naive Charlotte is matched at the other extreme by the heartless , manipulative " artistry " of Quilty . Only in Humbert's final state of mind , before his own much abused heart gives way , do we see the proper ...
... tion . The emotionally naive Charlotte is matched at the other extreme by the heartless , manipulative " artistry " of Quilty . Only in Humbert's final state of mind , before his own much abused heart gives way , do we see the proper ...
Vsebina
Vladimir Nabokovs Lolita | 5 |
The Morality of Lolita | 13 |
The Springboard of Parody | 35 |
Avtorske pravice | |
6 preostalih delov ni prikazanih
Pogosti izrazi in povedi
actually aesthetic American appears artistic attempt beauty becomes begins bliss calls characters Charlotte clearly comic completely conventional created creation criticism death described desire direct double effect emotional example exist experience express fact feelings fiction figure final force gives hand hero human Humbert idea ideal imagination important interest kill kind language later less literary literature Lolita look lover marriage matter means mind moral Nabokov narrative narrator nature never novel nymphet object once originality parody passage passion past perfect perhaps play possible problem Quilty Quilty's reader reading reality reference relation relationship represented response rhetorical romantic says scene seems sense sexual simply Speak story style suggest symbolic tells tenderness theme things tion Tolstoy tone tradition trying turn understanding University voice whole writing