Aesthetics |
Mnenja - Napišite recenzijo
Na običajnih mestih nismo našli nobenih recenzij.
Vsebina
3 | |
7 | |
A Word Unlike Any Other A World Unlike Any Other | 11 |
Two Different Worlds | 13 |
Institutional Irregularities | 15 |
Dantos Infirmities | 18 |
Summary and Conclusion | 23 |
Theories of Art Representation | 26 |
A Pause for Reflection | 97 |
Wiser ? Approaches | 100 |
Wisdom Renounced | 105 |
Intentions Intentionality and Artistic Communication | 109 |
The Intentional Fallacy | 110 |
Inside and Outside a Poem | 113 |
The InsideOutside Distinction Evaluated | 114 |
Originality | 118 |
Its Origins in Ancient Greek Thought | 29 |
Pictorial Representation During the Renaissance and Beyond | 38 |
Pictorial Representation Recently | 43 |
Truthful Representation in the Narrative Arts | 47 |
Theories of Art Form | 52 |
Formalism | 54 |
Organicism | 61 |
General Theory | 67 |
Gestalt Theory and the Visual Arts | 70 |
Gestalt Theory and Music | 74 |
Final Thoughts | 78 |
Theories of Art Expression | 80 |
Thomas Reid | 84 |
Leo Tolstoy | 89 |
R G Collingwood | 92 |
Arts Tragic Demise | 123 |
The Human Factor in Art | 127 |
Treating Works of Art as Persons | 129 |
Universality Objectivity and the Claim of Taste | 133 |
The Problem | 134 |
David Hume | 140 |
Thomas Reid | 147 |
Immanuel Kant | 156 |
Universality Revisited and Revised | 168 |
A Final Thought | 175 |
Notes | 177 |
Bibliography | 183 |
Index | 185 |
About the Author | |
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
actually aesthetic allow appears appreciation approach Aristotle artist artworld attention audience beauty become begin century certain chapter character claim color comes communication concept concerned consider considerations constitute critical culture definite developed direction domain effect elements emotional entirely example experience expression fact factors feeling follow give given grounds hand human Hume important individual intentions interesting involved judge judgment Kant language lead least lives look manner matter means mind moral nature never notion object offers original ourselves painting particular perhaps person philosophical play pleasure poem position possess possible present principles produce properties pure qualities question reason reflective regard Reid representation response seems seen sense shape share significant simply sort speak stand suggest sure taken taste term theory things thought tion truth turn understanding universality various visual whole
Priljubljeni odlomki
Stran 146 - I cannot, nor is it proper I should, enter into such sentiments; and however I may excuse the poet on account of the manners of his age, I never can relish the composition. The want of humanity and of decency...
Stran 42 - Tragedy endeavours, as far as possible, to confine itself to a single revolution of the sun, or but slightly to exceed this limit ; whereas the Epic action has no limits of time.
Stran 90 - Art is a human activity, consisting in this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that other people are infected by these feelings, and also experience them.
Stran 9 - Philosophy may in no way interfere with the actual use of language; it can in the end only describe it. For it cannot give it any foundation either. It leaves everything as it is.
Stran 140 - Though it be certain, that beauty and deformity, more than sweet and bitter, are not qualities in objects, but belong entirely to the sentiment, intern il or external, it must be allowed, that there are certain qualities in objects, which are fitted by nature to produce those particular feelings.
Stran 102 - Such is the pattern, or logical form, of sentience; and the pattern of music is that same form worked out in pure, measured sound and silence.
Stran 14 - Of course, without the theory, one is unlikely to see it as art, and in order to see it as part of the artworld, one must have mastered a good deal of artistic theory as well as a considerable amount of the history of recent New York painting.
Stran 146 - It is not without some effort that we reconcile ourselves to the simplicity of ancient manners, and behold princesses carrying water from the spring, and kings and heroes dressing their own victuals. We may allow in general, that the representation of such manners is no fault in the author, nor deformity in the piece ; but we are not so sensibly touched with them.
Navedki za to knjigo
Essays on Aesthetics, Poetics and Terminology of Literary Studies Wolfgang Ruttkowski Omejen predogled - 2007 |