AestheticsM.E. Sharpe, 1997 - 191 strani |
Iz vsebine knjige
Zadetki 1–5 od 40
Stran 4
... taken place and continue to take place in the very matter of how scientists conceive the foundations of physical reality . Their task is further complicated by a certain indeterminacy factor , wherein at- tempts to isolate and examine ...
... taken place and continue to take place in the very matter of how scientists conceive the foundations of physical reality . Their task is further complicated by a certain indeterminacy factor , wherein at- tempts to isolate and examine ...
Stran 7
... taken its place among the classics . It would appear that a definition of art that succeeded in capturing the element common to all the above works , as well as those of Praxiteles , Dante , Bach , and Balanchine , might have to stretch ...
... taken its place among the classics . It would appear that a definition of art that succeeded in capturing the element common to all the above works , as well as those of Praxiteles , Dante , Bach , and Balanchine , might have to stretch ...
Stran 9
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Stran 14
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Stran 17
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Vsebina
3 | |
7 | |
A Word Unlike Any Other A World Unlike Any Other | 11 |
Two Different Worlds | 13 |
Institutional Irregularities | 15 |
Dantos Infirmities | 18 |
Summary and Conclusion | 23 |
Theories of Art Representation | 26 |
A Pause for Reflection | 97 |
Wiser ? Approaches | 100 |
Wisdom Renounced | 105 |
Intentions Intentionality and Artistic Communication | 109 |
The Intentional Fallacy | 110 |
Inside and Outside a Poem | 113 |
The InsideOutside Distinction Evaluated | 114 |
Originality | 118 |
Its Origins in Ancient Greek Thought | 29 |
Pictorial Representation During the Renaissance and Beyond | 38 |
Pictorial Representation Recently | 43 |
Truthful Representation in the Narrative Arts | 47 |
Theories of Art Form | 52 |
Formalism | 54 |
Organicism | 61 |
General Theory | 67 |
Gestalt Theory and the Visual Arts | 70 |
Gestalt Theory and Music | 74 |
Final Thoughts | 78 |
Theories of Art Expression | 80 |
Thomas Reid | 84 |
Leo Tolstoy | 89 |
R G Collingwood | 92 |
Arts Tragic Demise | 123 |
The Human Factor in Art | 127 |
Treating Works of Art as Persons | 129 |
Universality Objectivity and the Claim of Taste | 133 |
The Problem | 134 |
David Hume | 140 |
Thomas Reid | 147 |
Immanuel Kant | 156 |
Universality Revisited and Revised | 168 |
A Final Thought | 175 |
Notes | 177 |
Bibliography | 183 |
Index | 185 |
About the Author | |
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
actually aesthetic emotion aesthetic experience aesthetic judgment appears appreciation approach Aristotle artist artworks artworld audience beauty Bell Brillo Box captured century chapter character claim cognitive Collingwood color concept constitute critical Cubist culture Danto David Hume definite domain effect elements example expressionism fact factors feeling framework Gestalt Gestalt theory human Hume Hume's Ibid imitation Immanuel Kant important individual Intentional Fallacy intentions involved judge Kant language look matter means mind moral nature notion object offers organicism ourselves painting particular perception perhaps person philosophical Plato pleasure poem poet poetry position possess principles produce purpose qualities question R.G. Collingwood realm reason Reid Reid's representation response Roger Fry Rudolf Arnheim seems sense shape simply sort speak stand suggest Suzanne Langer symmetry term theory of art things Thomas Reid tion Tolstoy truth universality ut pictura poesis visual arts Visual Perception Wimsatt and Beardsley Wittgenstein
Priljubljeni odlomki
Stran 146 - I cannot, nor is it proper I should, enter into such sentiments; and however I may excuse the poet on account of the manners of his age, I never can relish the composition. The want of humanity and of decency...
Stran 42 - Tragedy endeavours, as far as possible, to confine itself to a single revolution of the sun, or but slightly to exceed this limit ; whereas the Epic action has no limits of time.
Stran 90 - Art is a human activity, consisting in this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that other people are infected by these feelings, and also experience them.
Stran 9 - Philosophy may in no way interfere with the actual use of language; it can in the end only describe it. For it cannot give it any foundation either. It leaves everything as it is.
Stran 140 - Though it be certain, that beauty and deformity, more than sweet and bitter, are not qualities in objects, but belong entirely to the sentiment, intern il or external, it must be allowed, that there are certain qualities in objects, which are fitted by nature to produce those particular feelings.
Stran 102 - Such is the pattern, or logical form, of sentience; and the pattern of music is that same form worked out in pure, measured sound and silence.
Stran 14 - Of course, without the theory, one is unlikely to see it as art, and in order to see it as part of the artworld, one must have mastered a good deal of artistic theory as well as a considerable amount of the history of recent New York painting.
Stran 146 - It is not without some effort that we reconcile ourselves to the simplicity of ancient manners, and behold princesses carrying water from the spring, and kings and heroes dressing their own victuals. We may allow in general, that the representation of such manners is no fault in the author, nor deformity in the piece ; but we are not so sensibly touched with them.
Navedki za to knjigo
Essays on Aesthetics, Poetics and Terminology of Literary Studies Wolfgang Ruttkowski Omejen predogled - 2007 |