 Such is the pattern, or logical form, of sentience; and the pattern of music is that same form worked out in pure, measured sound and silence.  Aesthetics - Stran 102avtor: James W. Manns - 1997 - 191 straniOmejen predogled - O knjigi
 | Stephen David Ross - 1984 - 590 strani
...similarity to the forms of human feeling—forms of growth and of attenuation, flowing and slowing, conflict and resolution, speed, arrest, terrific excitement, calm, or subtle activation and dreamy lapses—not joy and sorrow perhaps, but the poignancy of either and both—the greatness and brevity... | |
 | Laird Addis - 2004 - 164 strani
...call "music" bear a close logical similarity to the forms of human feeling—forms of growth and of attenuation, flowing and stowing, conflict and resolution,...excitement, calm, or subtle activation and dreamy lapses—not joy and sorrow perhaps, but the poignancy of either and both—the greatness and brevity... | |
 | Clayton J. Schmit - 2002 - 180 strani
...similarity to the forms of human feeling — forms of growth and of attenuation, flowing and slowing, conflict and resolution, speed, arrest, terrific excitement,...pattern, or logical form, of sentience. . . . • and affective experience. The feelings you recognize through the art are difficult to express verbally.... | |
 | Steven Cohan - 2002 - 226 strani
...call 'music' bear a close logical similarity to the forms of human feeling — forms of growth and of attenuation. flowing and stowing. conflict and resolution....arrest. terrific excitement. calm or subtle activation or dreamy lapses — not loy and sorrow perhaps. but the poignancy of both — -the greatness and brevity... | |
 | Andreas Weber - 2003 - 210 strani
...relevance of 'import' to the dynamism of subjective experience. (1953:32) [Nämlich] forms of growth and of attenuation, flowing and stowing, conflict and resolution,...excitement, calm, or subtle activation and dreamy lapses. (Langer 1953:27) Nur in „lebenden" Formen kann dieselbe Geltung geschaffen werden, wie sie sich im... | |
 | Robert S. Hatten - 2004 - 374 strani
...call "music" bear a close logical similarity to the forms of human feeling — forms of growth and of attenuation, flowing and stowing, conflict and resolution,...brevity and eternal passing of everything vitally felt. [27] This is indeed an important aspect of musical meaning, and one that under this description would... | |
 | Derek Steinberg - 2006 - 238 strani
...movements, our very appearance and purposes. Langer (1953) goes further: the tonality of music also conveys: growth and attenuation, flowing and stowing, conflict...excitement, calm, or subtle activation and dreamy lapses . . . such is the pattern, or logical form, of sentience; and the pattern of music is that same form... | |
 | Richard Elfyn Jones - 2007 - 126 strani
...call "music" bear a close logical similarity to the forms of human feeling - forms of growth and of attenuation, flowing and stowing, conflict and resolution,...sorrow perhaps, but the poignancy of either and both . . . Music is atonal analogue of emotive life." Unlike Langer I would claim that the iconic designations... | |
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