Curious Attractions: Essays on Fiction WritingUniversity of Michigan Press, 25. maj 2005 - 175 strani Curious Attractions: Essays on Fiction Writing is a book about what makes fiction work. In nine entertaining and instructive essays, novelist and master teacher Debra Spark pursues key questions that face both aspiring and accomplished writers, including: How does a writer find inspiration? What makes a story's closing line resonate? How can a writer "get" style? Where should an author "stand" in relation to his or her characters? While the book will have immediate appeal for students of writing, it will also be of interest to general readers for its in-depth reading of contemporary fiction and for its take on important issues of the day: Should writers try to be more uplifting? How is emotion best conveyed in fiction? Why are serious writers in North America wedded to the realist tradition? When she was only twenty-three, Debra Spark's best-selling anthology 20 Under 30 introduced readers to some of today's best writers, including David Leavitt, Susan Minot, Lorrie Moore, Ann Patchett, and Mona Simpson. Almost twenty years later, Spark brings this same keen critical eye to Curious Attractions, discussing a broad range of authors from multiple genres and generations. A collection of essays in the belles-lettres tradition, Curious Attractions offers lively and instructive discussions of craft flavored with autobiographical reflections and commentary on world events. Throughout, Spark's voice is warm, articulate, and engaging as it provides valuable insights to readers and writers alike. |
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... stand - up comedy to help her write her novel Amy and Isabelle . After her read- ing , I asked why , thinking that she would respond by saying some- thing about timing , or audience , or humor . But she said she wanted to know about ...
... stand - up comedy to help her write her novel Amy and Isabelle . After her read- ing , I asked why , thinking that she would respond by saying some- thing about timing , or audience , or humor . But she said she wanted to know about ...
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... stand back a little from his emotions so he could present them . Cry , Cry , Cry TRACK 5. Anton Chekhov , " When you ... wish to move your reader to pity , try to be colder . It will give a kind of backdrop to . . . grief , make it stand ...
... stand back a little from his emotions so he could present them . Cry , Cry , Cry TRACK 5. Anton Chekhov , " When you ... wish to move your reader to pity , try to be colder . It will give a kind of backdrop to . . . grief , make it stand ...
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... Stand back everyone . Stand back . " Get too close , presumably , and you'll do damage . Irving's was the voice of authority in that moment ; when you're the one who decides where people will and will not stand , you have a lot of power ...
... Stand back everyone . Stand back . " Get too close , presumably , and you'll do damage . Irving's was the voice of authority in that moment ; when you're the one who decides where people will and will not stand , you have a lot of power ...
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Contents | 1 |
GETTING IN AND GETTING OUT | 16 |
SPEAKING OF STYLE | 33 |
Avtorske pravice | |
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Aleph American Antek Anton Chekhov Billy boys Burroway Carver character Cheer Up-Why Chekhov close Colwin consciousness course Craft CURIOUS ATTRACTIONS dead Dybek E. B. White E. M. Forster Ebrahim emotion essay everything fantastic feel fiction final Flores Gabriel García Márquez girl going happened happy ending Hemon Hot Ice idea imagine John Cheever kitsch Knopf language legend literary lives look Lorrie Moore Lubbock magical realism Margaret Atwood mean mother narrative distance Nemerov never Norman Maclean novelist novella once opening Pancho paragraph point of view prose reader reality Rug Weaver seems sense sentence sentimentality short novel short story Speaking of Style Stand Back started Stefaniak Steve Stern story's storyteller Stuart Dybek talk tell there's things third person narrator thought tion told Trigger true truth trying vision voice What's woman words writing York