Curious Attractions: Essays on Fiction WritingUniversity of Michigan Press, 25. maj 2005 - 175 strani Curious Attractions: Essays on Fiction Writing is a book about what makes fiction work. In nine entertaining and instructive essays, novelist and master teacher Debra Spark pursues key questions that face both aspiring and accomplished writers, including: How does a writer find inspiration? What makes a story's closing line resonate? How can a writer "get" style? Where should an author "stand" in relation to his or her characters? While the book will have immediate appeal for students of writing, it will also be of interest to general readers for its in-depth reading of contemporary fiction and for its take on important issues of the day: Should writers try to be more uplifting? How is emotion best conveyed in fiction? Why are serious writers in North America wedded to the realist tradition? When she was only twenty-three, Debra Spark's best-selling anthology 20 Under 30 introduced readers to some of today's best writers, including David Leavitt, Susan Minot, Lorrie Moore, Ann Patchett, and Mona Simpson. Almost twenty years later, Spark brings this same keen critical eye to Curious Attractions, discussing a broad range of authors from multiple genres and generations. A collection of essays in the belles-lettres tradition, Curious Attractions offers lively and instructive discussions of craft flavored with autobiographical reflections and commentary on world events. Throughout, Spark's voice is warm, articulate, and engaging as it provides valuable insights to readers and writers alike. |
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... imagine they're standing on the top stair leading to a basement they know well . Slowly , she guides them down the stair- case , asking them at length to open their eyes and say what they " see " in the basement . After everyone has ...
... imagine they're standing on the top stair leading to a basement they know well . Slowly , she guides them down the stair- case , asking them at length to open their eyes and say what they " see " in the basement . After everyone has ...
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... imagine what . I have recourse , in defending myself , to Bob Shaco- chis's angry response to critics of his writing about the Caribbean . " Can you imagine , " Shacochis writes , " an Anglo burn victim telling Michael Ondaatje that his ...
... imagine what . I have recourse , in defending myself , to Bob Shaco- chis's angry response to critics of his writing about the Caribbean . " Can you imagine , " Shacochis writes , " an Anglo burn victim telling Michael Ondaatje that his ...
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... imagine but that we can't imagine seeing simulta- neously or , in some cases , can't imagine actually seeing with our own eyes . Ants , yes . All the ants on the planet , no . We can see our blood but never our dark blood , and so on ...
... imagine but that we can't imagine seeing simulta- neously or , in some cases , can't imagine actually seeing with our own eyes . Ants , yes . All the ants on the planet , no . We can see our blood but never our dark blood , and so on ...
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Contents | 1 |
GETTING IN AND GETTING OUT | 16 |
SPEAKING OF STYLE | 33 |
Avtorske pravice | |
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Aleph American Antek Anton Chekhov Billy boys Burroway Carver character Cheer Up-Why Chekhov close Colwin consciousness course Craft CURIOUS ATTRACTIONS dead Dybek E. B. White E. M. Forster Ebrahim emotion essay everything fantastic feel fiction final Flores Gabriel García Márquez girl going happened happy ending Hemon Hot Ice idea imagine John Cheever kitsch Knopf language legend literary lives look Lorrie Moore Lubbock magical realism Margaret Atwood mean mother narrative distance Nemerov never Norman Maclean novelist novella once opening Pancho paragraph point of view prose reader reality Rug Weaver seems sense sentence sentimentality short novel short story Speaking of Style Stand Back started Stefaniak Steve Stern story's storyteller Stuart Dybek talk tell there's things third person narrator thought tion told Trigger true truth trying vision voice What's woman words writing York