Artists and Thinkers |
Iz vsebine knjige
Zadetki 1–5 od 24
Stran 19
... know how this impression of lifelike- ness the Venus has just given us is produced ? By the science of modelling . These words may seem trite to you , but you will soon see their importance . The science of modelling was shown me by a ...
... know how this impression of lifelike- ness the Venus has just given us is produced ? By the science of modelling . These words may seem trite to you , but you will soon see their importance . The science of modelling was shown me by a ...
Stran 30
... , however , recall that the first commandment of this religion for those that wish to practise it is to know how to model an arm , a torso or a thigh . ' ' It is clear from passages like these that Rodin makes 30 ARTISTS AND THINKERS.
... , however , recall that the first commandment of this religion for those that wish to practise it is to know how to model an arm , a torso or a thigh . ' ' It is clear from passages like these that Rodin makes 30 ARTISTS AND THINKERS.
Stran 36
... knows the anatomy and geometry of his art , and gets full plastic value out of his marble . In his best work the form is made to respond so thoroughly and readily to a symbolic idea which in turn seems to grow out of it that the ...
... knows the anatomy and geometry of his art , and gets full plastic value out of his marble . In his best work the form is made to respond so thoroughly and readily to a symbolic idea which in turn seems to grow out of it that the ...
Stran 40
... know their outlines ; I can follow them as clearly as when by day I trod their stones . . . There is the Piazza with its fiery dome — and the Campo Santo like an island of shadow . Life , which seemed gone forever , comes quickly back ...
... know their outlines ; I can follow them as clearly as when by day I trod their stones . . . There is the Piazza with its fiery dome — and the Campo Santo like an island of shadow . Life , which seemed gone forever , comes quickly back ...
Stran 47
... knows his Dorsetshire thoroughly and has portrayed character in all its individuality and jaggedness as well as in its blindness . Nothing can serve better to emphasize Maeter- linck's atmospheric method than to contrast it with the ...
... knows his Dorsetshire thoroughly and has portrayed character in all its individuality and jaggedness as well as in its blindness . Nothing can serve better to emphasize Maeter- linck's atmospheric method than to contrast it with the ...
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
æsthetic Apollonian and Dionysian artist asked beauty becomes Birth of Tragedy Burghers of Calais character clue color complete consciousness contrast cosmic creative culture dance demand divine doctrine of eternal Ecce Homo emotional essays eternal recurrence everything expression feeling force fragmentary gives Greek Hegel human idea ideal imagery imagination imitation individual inner intellectual intense interest interpretation King Lear lacks Leitmotif light Maeter Maeterlinck Marcus Aurelius marks meaning modern mood moral movement music drama nature ness Nietzsche Nietzsche's opera organic unity painting passages passion pessimism philosophy plastic play poet poetry principle problem reflects rich Rodin Rodin's art Schopenhauer sculpture seems self-expression sharply significance simply soul Spake Zarathustra spirit strength strong struggle subtle suggests Superman surface symbolism Tannhäuser technique theory of art things Thinker thought tion Tolstoy Tolstoy's tragedy tragic Tristan und Isolde true art truth turn ugly universe Wagner weakness
Priljubljeni odlomki
Stran 154 - Art is a human activity consisting in this, that one man consciously by means of certain external signs, hands on to others feelings he has lived through, and that others are infected by these feelings and also experience them.
Stran 155 - It is always complied with in peasant art, and this explains why such art always acts so powerfully ; but it is a condition almost entirely absent from our upper-class art, which is continually produced by artists actuated by personal aims of covetousness or vanity.
Stran 154 - To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then, by means of movements, lines, colours, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling— this is the activity of art.
Stran 93 - Wie es fassen? Wie sie lassen. Diese Wonne fern der Sonne Fern der Tage Trennungsklage? Ohne Wähnen sanftes Sehnen, Ohne Bangen süß Verlangen; Ohne Wehen hehr Vergehen, Ohne Schmachten hold Umnachten; Ohne Scheiden ohne Meiden, Traut allein ewig heim.
Stran 196 - Wie? Ward die Welt nicht eben vollkommen? Rund und reif? Oh des goldenen runden Reifs — wohin fliegt er wohl?
Stran 95 - Höre ich nur diese Weise, die so wundervoll und leise, Wonne klagend, Alles sagend, mild versöhnend aus ihm tönend in mich dringet, auf sich schwinget, hold erhallend um mich klinget?
Stran 52 - Hilda and Solness are, I believe, the first characters in drama who feel, for an instant, that they are living in the atmosphere of the soul; and the discovery of this essential life that exists in them, beyond the life of every day, comes fraught with terror.
Stran 183 - Leben: Gold sah ich in deinem Nacht-Auge blinken, — mein Herz stand still vor dieser Wollust: - einen goldenen Kahn sah ich blinken auf nächtigen Gewässern, einen sinkenden, trinkenden, wieder winkenden goldenen Schaukel-Kahn!
Stran 93 - Halt ich dich fest? Ist es kein Trug? Ist es kein Traum? O Wonne der Seele! O süße, hehrste, kühnste, schönste, seligste Lust! Ohne-Gleichel Koerreichel Überselig! Ewig! Ewig! Ungeahnte, nie gekannte, überschwenglich hoch erhabne! Freudejauchzen! Lustentzücken! Himmelhöchstes Weltentrücken! Mein, Tristan! Mein, Isolde!
Stran 148 - My life had come to a sudden stop. I was able to breathe, to eat, to drink, to sleep. I could not, indeed, help doing so; but there was no real life in me.